Author(s): Michael Meyer

Asian

A fascinating, intimate portrait of Beijing through the lens of its oldest neighborhood, facing destruction as the city, and China, relentlessly modernizes.

Soon we will be able to say about old Beijing that what emperors, warlords, Japanese invaders, and Communist planners couldn't eradicate, the market economy has. Weaving historical vignettes of Beijing and China over a thousand years Michael Meyer captures the city's deep past as he illuminates its present, and especially the destruction of its ancient neighborhoods and the eradication of a way of life that has epitomized China's capital. With an insider's insight, "The Last Days of Old Beijing "is an invaluable witness to history, bringing into shining focus the ebb and flow of life in old Beijing at this pivotal moment. Michael Meyer first went to China in 1995 with the Peace Corps. A longtime teacher and a Lowell Thomas Award winner for travel writing, Meyer has published stories in "Time," "Smithsonian," the "New York Times Book Review," the "Financial Times," "Reader's Digest," the "Los Angeles Times," and the "Chicago Tribune." In China, he has represented the National Geographic Society's Center for Sustainable Destinations, training China's UNESCO World Heritage Site managers in preservation practices. "The Last Days of Old Beijing "is his first book.

A "Wall Street Journal" Best Book of Asia
An "Access Asia" Best Book of 2008
Soon we will be able to say about old Beijing that what emperors, warlords, Japanese invaders, and Communist planners couldn't eradicate, the market economy has. Nobody has been more aware of this than Michael Meyer. A long-time resident, Meyer has, for the past two years, lived as no other Westerner--in a shared courtyard home in Beijing's oldest neighborhood, Dazhalan, on one of its famed "hutong" (lanes). There he volunteers to teach English at the local grade school and immerses himself in the community, recording with affection the life stories of the Widow, who shares his courtyard; co-teacher Miss Zhu and student Little Liu; and the migrants Recycler Wang and Soldier Liu; among the many others who, despite great differences in age and profession, make up the fabric of this unique neighborhood.
Their bond is rapidly being torn, however, by forced evictions as century-old houses and ways of life are increasingly destroyed to make way for shopping malls, the capital's first Wal-Mart, high-rise buildings, and widened streets for cars replacing bicycles. Beijing has gone through this cycle many times, as Meyer reveals, but never with the kind of dislocation and overturning of its storied culture occurring as the city prepared to host the 2008 Summer Olympics.
Weaving historical vignettes of Beijing and China over a thousand years through his narrative, Meyer captures the city's deep past as he illuminates its present. With the kind of insight only someone on the inside can provide, "The Last Days of Old Beijing" brings this moment and the ebb and flow of daily lives on the other side of the planet into shining focus. "Michael Meyer's voracious curiosity has led him deep, deep into a vanishing world that other visitors and foreign correspondents almost all see only from a taxi window. He comes at it with a wide knowledge of history, a thirst for people's life stories, a novelist's ability to evoke a social universe, and an Arctic explorer's willingness to live through a sub-zero winter with little heat and the nearest communal toilet far down a snowy lane. This is a stunning, compassionate feat of reportage which will long endure."--Adam Hochschild, author of "King Leopold's Ghost" and "Bury the Chains"

"Michael Meyer's voracious curiosity has led him deep, deep into a vanishing world that other visitors and foreign correspondents almost all see only from a taxi window. He comes at it with a wide knowledge of history, a thirst for people's life stories, a novelist's ability to evoke a social universe, and an Arctic explorer's willingness to live through a sub-zero winter with little heat and the nearest communal toilet far down a snowy lane. This is a stunning, compassionate feat of reportage which will long endure."--Adam Hochschild, author of "King Leopold's Ghost" and "Bury the Chains
""It's rare that a writer truly lives a book, commits himself to the rhythms of a place, and turns research into something deeper. For the past two years, Michael Meyer has lived and taught in the "hutong" neighborhoods of Beijing; nobody writing in English knows this world as well as he does."--Peter Hessler, author of "Oracle Bones" and "River Town
""Nimbly told . . . Through his skillful weaving of his professional experiences with his intimate encounters with neighbors, "The Last Days of Old Beijing" is as much a chronicle of the physical transformation of the city as it is a tribute to the inhabitants of his beloved "hutong.""--Julie Foster, "San Francisco Chronicle
""Meyer is a graceful writer in full command of his voice, with a scrupulous eye for detail and a flawless sense of comic timing . . . There is a plainspoken eloquence to his account and a winning determination to subject himself to the same scrutiny he brings to bear on his neighbors and sources . . . An emissary from a nation that routinely junks its own past and starts anew, Meyer finds himself a champion of an unpopular cause."--Holly Brubach, "T: The New York Times Style Magazine
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"A charming memoir and a compelling work of narrative nonfiction about the city itself."--Ian Johnson, "The Wall Street Journal"
"An American lives side by side with the fear-stricken denizens of an ancient neighborhood that will not survive China's Olympic Games. The Old and Dilapidated Housing Renewal program, reports first-time author Meyer, has evicted 1.25 million residents from their homes in Beijing. This massive official initiative to 'clean up' the city for the upcoming summer Olympics focuses on demolition and removal in Beijing's traditional "hutong" (lane) areas, neighborhoods of narrow paths that crisscross the heart of the city. The author, who first went to China as a Peace Corps volunteer in 1995, moved to a walled courtyard home in a "hutong" in 2005, when the pace of demolitions was accelerating. He makes palpable the impact of this initiative on Chinese families and the many older people who have never known another kind of home. Compensatory payment is offered when 'the Hand' (Meyer's epithet for anonymous, creeping bureaucracy) stencils the Chinese character meaning 'raze' on their walls, the author explains. But even those who go quietly and promptly, therefore locking in the highest settlement, find that it rarely covers their expenses in a sterile concrete high-rise that could be a two-hour commute away. And such is the pull of the "hutong" on its older inhabitants that many hold out and get nothing; some who are forced out simply disappear. Most Beijing residents neither abhor progress nor revile the government, Meyer stresses; it's just the total lack of transparency that depresses everybody. Few Americans would care for the "hutong"'s basic amenities--public l